Literatura
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Edgar Rice Burroughs
“The People That Time Forgot“ is a novel by Edgar Rice Burroughs, an American fiction writer, who created such great characters as Tarzan and John Carter of Mars. The People That Time Forgot is a fantasy novel, the second of his Caspak trilogy. The trilogy includes “The Land That Time Forgot”, “The People That Time Forgot” and “Out of Time's Abyss”.
Max Brand
Kildare saves the life of a skater who had a car accident. But even though her leg is broken, she cannot walk, and she is trying to sue Kildare for negligence, and Kildares entire career and reputation are now based on the correct diagnosis in the courtroom.
Fred M. White
Sebastian Wilde really was a great man. He seemed to be paralysed from his hips downwards, which, indeed, was the case, though his arms were vigorous enough and his affliction had not robbed him of the brightness of his eyes or blunted the edge of his amazing intellect. He had no friends and visitors; he was pleased, in his words, to work quietly on the task of his life and, perhaps, when this is completed, he can go out of his obscurity and again take his place in the great world. However, what could such a noble person hide?
B.M. Bower
In The Phantom Herd from 1916 we follow a film director Luck Lindsay who wants to make an authentic western, therefore using the Happy Family boys and some of their friends as actors instead of professional actors. There are many difficulties along the way, some of which bid fair to be insurmountable and they are up against big problems, mostly the weather and deadline. The story is absolutely thrilling and at the same time Bower, with the help from a real western actor, has made a great research on how you made films in those early silent film days. One of many recommended works by this prolific author.
Aidan de Brune
There is always a special thrill of excitement about a mystery story, especially when the main characters cover their tracks successfully. The Phantom Launch is an Australian story through and through, its main setting being Sydney and Melbourne, and the swiftness and sureness with which both the launch people and amateur sleuths act will keep the reader breathless. Wireless plays an important part in this story. We defy any reader to guess the perpetrators of the crimes and the secret of the launch until the colorful and prolific Australian writer Aidan de Brune? reveals them.
The Phantom of the Opera - With Audio Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Written for Learners of English by Jennifer Bassett. It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom of the Opera - With Audio Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Written for Learners of English by Jennifer Bassett. It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom of the Opera - With Audio Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Written for Learners of English by Jennifer Bassett. It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom of the Opera - With Audio Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Written for Learners of English by Jennifer Bassett. It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom of the Opera - With Audio Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Written for Learners of English by Jennifer Bassett. It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom of the Opera - With Audio Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Written for Learners of English by Jennifer Bassett. It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom of the Opera Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. Written for Learners of English by Jennifer Bassett It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom of the Opera Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. Written for Learners of English by Jennifer Bassett It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom of the Opera Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. Written for Learners of English by Jennifer Bassett It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom of the Opera Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. Written for Learners of English by Jennifer Bassett It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom of the Opera Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. Written for Learners of English by Jennifer Bassett It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom of the Opera Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. Written for Learners of English by Jennifer Bassett It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
George Bernard Shaw
“The Philanderer” is a play by George Bernard Shaw, an Irish playwright who became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. The Philanderer was written in 1893 but the strict British censorship laws at the time meant that it was not produced on stage until 1902. This is one of three plays Shaw published as Plays Unpleasant in 1898. They were termed "unpleasant" because they were intended, not to entertain their audiences – as the traditional Victorian theatre was expected to – but to raise awareness of social problems and to censure exploitation of the labouring class by the unproductive rich. The other plays in the group are Widowers' Houses and Mrs. Warren's Profession.
Herman Melville
Melville has a fairly wide range of styles and approaches. Piazza is a Tolkien excursion into a fairyland, but she asks where the real fairyland is actually located. Piazza, a descriptive and sensitively told pastoral story.
Charles Dickens
The Pickwick Papers - a novel by Charles Dickens, an English writer who is regarded by many as the greatest novelist of the Victorian era. The novel's protagonist Samuel Pickwick, Esquire is a kind and wealthy old gentleman, the founder and perpetual president of the Pickwick Club. He suggests that he and three other "Pickwickians" should make journeys to places remote from London and report on their findings to the other members of the club. Their travels throughout the English countryside by coach provide the chief subject matter of the novel.
Charles Dickens
The Pickwick Papers - a novel by Charles Dickens, an English writer who is regarded by many as the greatest novelist of the Victorian era. The novel's protagonist Samuel Pickwick, Esquire is a kind and wealthy old gentleman, the founder and perpetual president of the Pickwick Club. He suggests that he and three other "Pickwickians" should make journeys to places remote from London and report on their findings to the other members of the club. Their travels throughout the English countryside by coach provide the chief subject matter of the novel.
Charles Dickens
This novel demonstrates Dickens experimenting with building his own voice. The Pickwick Papers is a series of linear adventures, unlike the convoluted plots of Dickenss later novels. In other words, we follow our heroes from one stop to the next and meet interesting characters, rather than unraveling a mystery. The novel is a late example of the picaresque, a style of story in which we follow a rough, but still likable, hero through his adventures.The Pickwick Club sends Mr. Pickwick and a group of friends to travel across England and to report back on the interesting things they find. In the course of their travels, they repeatedly encounter the friendly but disreputable Mr. Jingle, who becomes a continual source of trouble for all who know him. Pickwick himself is the victim of a number of misunderstandings that bring him both embarrassment and problems with the law.
Oscar Wilde
Possessing eternal youth and beauty produces exactly the same effect as sentencing a man to life without the possibility of parole. Both have nothing to lose and morals disappear before the desire for immediate self-gratification in all things. And so it is with Dorian Gray. Its a moral story so eventually his evil catches up with him and he dies, as does the criminal. The Picture of Dorian Gray by Oscar Wilde is a fascinating novel in which a beautiful young man, under the poisonous influence of an older dandy, makes a bargain with the devil, according to which he stays young and charming while his portrait becomes a reflection of his conscience. Wildes novel is about youth and beauty versus experience; morality and the triumph of the senses over reason; sin and accountability; society, its hypocrisy and the depths of the human condition.
The Picture of Dorian Gray - With Audio Level 3 Oxford Bookworms Library
Wilde, Oscar
A level 3 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Retold for Learners of English by Jill Nevile. 'When we are happy, we are always good', says Lord Henry, 'but when we are good, we are not always happy.' Lord Henry's lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party.
The Picture of Dorian Gray - With Audio Level 3 Oxford Bookworms Library
Wilde, Oscar
A level 3 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Retold for Learners of English by Jill Nevile. 'When we are happy, we are always good', says Lord Henry, 'but when we are good, we are not always happy.' Lord Henry's lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party.
The Picture of Dorian Gray - With Audio Level 3 Oxford Bookworms Library
Wilde, Oscar
A level 3 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Retold for Learners of English by Jill Nevile. 'When we are happy, we are always good', says Lord Henry, 'but when we are good, we are not always happy.' Lord Henry's lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party.
The Picture of Dorian Gray - With Audio Level 3 Oxford Bookworms Library
Wilde, Oscar
A level 3 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Retold for Learners of English by Jill Nevile. 'When we are happy, we are always good', says Lord Henry, 'but when we are good, we are not always happy.' Lord Henry's lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party.
The Picture of Dorian Gray - With Audio Level 3 Oxford Bookworms Library
Wilde, Oscar
A level 3 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Retold for Learners of English by Jill Nevile. 'When we are happy, we are always good', says Lord Henry, 'but when we are good, we are not always happy.' Lord Henry's lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party.
The Picture of Dorian Gray - With Audio Level 3 Oxford Bookworms Library
Wilde, Oscar
A level 3 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Retold for Learners of English by Jill Nevile. 'When we are happy, we are always good', says Lord Henry, 'but when we are good, we are not always happy.' Lord Henry's lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party.
The Picture of Dorian Gray Level 3 Oxford Bookworms Library
Wilde, Oscar
A level 3 Oxford Bookworms Library graded reader. Retold for Learners of English by Jill Nevile 'When we are happy, we are always good', says Lord Henry, 'but when we are good, we are not always happy.' Lord Henry's lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party.
The Picture of Dorian Gray Level 3 Oxford Bookworms Library
Wilde, Oscar
A level 3 Oxford Bookworms Library graded reader. Retold for Learners of English by Jill Nevile 'When we are happy, we are always good', says Lord Henry, 'but when we are good, we are not always happy.' Lord Henry's lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party.
The Picture of Dorian Gray Level 3 Oxford Bookworms Library
Wilde, Oscar
A level 3 Oxford Bookworms Library graded reader. Retold for Learners of English by Jill Nevile 'When we are happy, we are always good', says Lord Henry, 'but when we are good, we are not always happy.' Lord Henry's lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party.
The Picture of Dorian Gray Level 3 Oxford Bookworms Library
Wilde, Oscar
A level 3 Oxford Bookworms Library graded reader. Retold for Learners of English by Jill Nevile 'When we are happy, we are always good', says Lord Henry, 'but when we are good, we are not always happy.' Lord Henry's lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party.
The Picture of Dorian Gray Level 3 Oxford Bookworms Library
Wilde, Oscar
A level 3 Oxford Bookworms Library graded reader. Retold for Learners of English by Jill Nevile 'When we are happy, we are always good', says Lord Henry, 'but when we are good, we are not always happy.' Lord Henry's lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party.
The Picture of Dorian Gray Level 3 Oxford Bookworms Library
Wilde, Oscar
A level 3 Oxford Bookworms Library graded reader. Retold for Learners of English by Jill Nevile 'When we are happy, we are always good', says Lord Henry, 'but when we are good, we are not always happy.' Lord Henry's lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party.
Valentine Williams
The novel begins in Paris on the wedding night of Sally and Rex Garrett. A former member of the French Foreign Legion Rex mysteriously disappears on the night of his wedding. At The Pigeon House, a lonely inn, a band of conspirators await the arrival of a deserter from the Foreign Legion, who is their key man in their plan to start an uprising in French Morocco. The conspirators have also driven the bridegrooms closest friend into exile and a shameful death, which means he must hunt them down and destroy them. Williams spy story, The Pigeon Man (1927), presents us with a character whose motivations are as obscure as any in modernist literature. Why is the hero doing what he is doing? Why, for that matter, are the other characters? George Valentine Williams never says explicitly, leaving readers to puzzle this out for themselves.
Robert E. Howard
Robert E. Howard turned to writing comic and dialect Western tales only late in his career, but he found an immediate and continuously successful market for them, and they are in many respects his most accomplished and polished works. The Pike Bearfield Stories is a collection of stories in the western genre, featuring Pike Bearfield the character who lead well-intentioned lives of perpetual confusion, mischance, and outright catastrophe. It includes: While the Smoke Rolled, A Gent from the Pecos Shave That Hawg! , Gents on the Lynch, The riot at Bucksnort. They are reminiscent of traditional southwestern tall tales, told in dialect, featuring larger-than-life characters, swift action, broad satire, and wry humor. All stories are fast-paced with simple yet effective plots that have a few surprises thrown in for good measure.
James Fenimore Cooper
In The Pilot (1824), James Fenimore Cooper invented a new literary genre: the sea novel. Bold, vigorous, original, it is a tale of high adventure that vividly captures the majesty and power of the seafaring life. Cooper drew on his direct knowledge of ships and sailors to present a truer picture of life on the sea than had ever before achieved in literature. As a boy of seventeen he had experienced the life of a common seaman, learned the craft of sailing, encountered terrifying storms, was chased by pirates, and watched the impressment of crew members by a British man-of-war.The Pilot is loosely based upon stories of John Paul Joness daring hit-and-run tactics during the Revolutionary War. The shadowy hero, modeled on Jones, leads a squadron of the infant American navy in a series of raids on the English coast, braving fierce storms and the guns of hostile warships, yet never revealing his identity. In this novel Cooper introduced the character of the old salt, the seasoned deckhand happy only aboard ship.
James Fenimore Cooper
In The Pilot (1824), James Fenimore Cooper invented a new literary genre: the sea novel. Bold, vigorous, original, it is a tale of high adventure that vividly captures the majesty and power of the seafaring life. Cooper drew on his direct knowledge of ships and sailors to present a truer picture of life on the sea than had ever before achieved in literature. As a boy of seventeen he had experienced the life of a common seaman, learned the craft of sailing, encountered terrifying storms, was chased by pirates, and watched the impressment of crew members by a British man-of-war.The Pilot is loosely based upon stories of John Paul Joness daring hit-and-run tactics during the Revolutionary War. The shadowy hero, modeled on Jones, leads a squadron of the infant American navy in a series of raids on the English coast, braving fierce storms and the guns of hostile warships, yet never revealing his identity. In this novel Cooper introduced the character of the old salt, the seasoned deckhand happy only aboard ship.
The Pioneers. or The Sources of the Susquehanna
James Fenimore Cooper
The fourth of the Leatherstocking novels, we find Leatherstocking (Natty Bumppo) entering the last stages of his life. He has lost a great deal of his effectiveness with his musket and now relies a great deal on his dog to help him hunting. The main focus is one two things: 1. the reinstatement of Nattys old commander in his properties and wealth in the new US while believing he is the victim of treachery by his old friend the judge in this story; and 2. Nattys struggle with and disgust about the developing societal rules that limit his freedom in hunting, trapping and fishing in the wilderness as he has his whole life. Good story on both accounts. In The Pioneers, James Fenimore Cooper thematically debates the complexity of landscape within a new American frontier. The battle between nature and civilization is a constant and competing force within the minds of the characters and in the general surroundings.
Otis Adelbert Kline
Otis Adelbert Kline is best known for his purported novelistic feud with Edgar Rice Burroughs. In 1929, long before planetary romance became a conventional genre, he wrote Planet of Peril, a novel set on the planet Venus and written in the storytelling form of Burroughs Martian novels. He followed this with two sequels. This novel is a science-fiction adventure on a world of semi-barbaric nations, ferocious beasts, gigantic reptiles, and maidens in distress. In it, Robert Grandon of Earth exchanges his body with that of a captive Prince of the planet Venus. Of course being a earthmen he doesnt stay captive very long. Battles, swordfights, monsters, whirlwind of intrigue, danger, desperation and beautiful Queens vie for your attention as this story unfolds.
Stanley G. Weinbaum
If youre going to launch a series dedicated to the very best science fiction and fantasy writers of the century, it makes sense to start with Stanley G. Weinbaum. The Planetary Series includes ten stories set on worlds of Earths solar system following several centuries of human exploration and settlement. It features a host of fascinating alien creatures, including birdlike Martians (features in A Martian Odyssey and its sequel Valley of Dreams) and The Red Peri and the Venusian trioptes (in Parasite Planet, The Lotus Eaters). Written in the 1930s, the planetary stories were consistent with scientific understanding of the solar system at that time, as well as consistent with science fiction ideas of the planets, most notably a warm and wet jungle-like Venus. Even today, the collection remains a highly readable and enjoyable, a great example of early science fiction that exhibits the finest pulp virtues: fast action, colorful settings and characters, and terrific storytelling.
Joseph Conrad
This is both mystery and romance; the latter creates one of the recurring difficulties in Conrad: it preserves the Victorian histrionic element, which sometimes may seem a little attractive. But overall, it is well read and much less burdensome than some of his novels.
Karol May
"The Player" autorstwa Karola Maya to opowieść pełna intrygi, zdrady i mrocznych tajemnic, gdzie losy bohaterów splatają się w sieci morderstw, zemsty i skrywanych namiętności. Główny wątek powieści skupia się na trudnych relacjach między członkami rodziny Meltonów. Kiedy Thomas Melton zabija swojego brata Harry'ego, wywołuje tym czynem lawinę wydarzeń, które przyczynią się do upadku całej rodziny. Narracja prowadzi nas przez pełen napięcia proces zemsty i sprawiedliwości, w którym pozostali dwaj Meltonowie stają w obliczu zasłużonej kary. W tej części cyklu powieściowego pojawia się także postać Judyty, żony wodza plemienia Yuma, Przebiegłego Węża. Jej obecność rzuca cień podejrzliwości na wydarzenia i decyzje głównych bohaterów. Judyta, córka imigranta z wcześniejszej części powieści, staje się kluczową postacią w tym splocie emocji i tajemnic. "The Player" to literacka podróż przez zawiłe intrygi, emocje i relacje między postaciami. Karol May nie tylko ukazuje Dziki Zachód w swojej charakterystyczny sposób, ale również zgłębia psychologiczne aspekty postaci, ich wybory i motywacje. Ta trzymająca w napięciu opowieść o zdradzie, miłości i zemście to nieodłączna część cyklu powieściowego Karola Maya. "The Player" to lektura dla tych, którzy poszukują głębokich emocji, skomplikowanych relacji i pełnych zwrotów akcji opowieści.
Karol May
„The Player” to trzeci tom z 11-tomowego cyklu przygodowego „Szatan i Judasz”, autorstwa Karola Maya. Winnetou - szlachetny indiański wódz, wraz z innymi znanymi i lubianymi bohaterami z powieści Karola Maya, odbywa szalone podróże, przeżywa ekscytujące przygody i podejmuje ryzyko w walce z otaczającymi go wrogami. W skład cyklu „Szatan i Judasz” wchodzą: TOM I - ŚWIĘTY DNIA OSTATNIEGO TOM II - YUMA SHETAR TOM III - THE PLAYER TOM IV - KLĘSKA SZATANA TOM V - WINNETOU W AFRYCE TOM VI - DŻEBEL MAGRAHAM TOM VII - DOLINA ŚMIERCI TOM VIII - U STÓP PUEBLA TOM IX - JASNA SKAŁA TOM X - OCALONE MILIONY TOM XI - ŚMIERĆ JUDASZA
The Point of Honor. A Military Tale
Joseph Conrad
Conrad stresses that the narrative clearly shows that the duel really benefited two. Combat competitions made every job and strive a little harder, forced the will to survive and win in a personal fight as seriously as the desire to survive the bloody years of the Napoleonic war. Both are officers in Napoleons army, and both are to the core.