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1929 short story collection by Edgar Wallace revolving around the demobbed soldier (WWI) Jack Wireless Bryce and his engagement by the law firm Hemmer & Hemmer. Operating on the fringes of lawlessness, Bryce uses his brains and brawn to protect a range of the firms more vulnerable and downright gullible clients. His new career as a detective creates a compelling tale of adventure. Most of his adventures involve rescuing various damsels in distress from the clutches of men who are far from gentle. The tales are told with real zip, with a dash of grit and humor. Eventually, however, he is overpowered caught in the tender grip of love from which he has no desire to escape.
The image of a young American woman is central to the story Madame de Mauves, which prefaces the Portrait of a Woman. Deceived by the wife of an impoverished French aristocrat who married her for her wealth, she won a moral victory over him, displaying, unexpectedly for him, intellectual subtlety and complete spiritual independence.
Shakespeare: His Infinite Variety. Celebrating the 400th Anniversary of His Death
Krystyna Kujawińska Courtney, Grzegorz Zinkiewicz
The great asset of Shakespeare: His Infinite Variety is its wide historical and geographical range - that is, from the time of the Bard himself to the latest metamorphoses of meanings new electronic media made available. Every reader, depending on his/her age and prior experience with Shakespeare, is at a different moment of this great historical-theoretical continuum of world culture. Everyone can also begin one’s own intellectual journey through cultural history - any time, any place. [...] Despite the once popular but now outdated post-truths, history has not ended. This volume testifies to the benefits of combining historical perspective in its fairly elementary version, which is a linear sequence of events, with an in-depth analysis of the transformations in understanding, exhibiting, and using (appropriating) Shakespeare’s works in our rapidly changing reality. Prof. Marta Wiszniowska-Majchrzyk
Utwór dramatyczny należący do cyklu dramatów Dziady. Powstawał w latach 1832 w Dreźnie. Ze względu na miejsce powstania niekiedy określany mianem Dziadów drezdeńskich. Dramat cechuje nieciągłość, fragmentaryczność i otwarta, swobodna kompozycja. Żaden z licznych wątków fabularnych nie został ukończony. Do całego cyklu nawiązuje scena IX (obrzęd tytułowych Dziadów). Plan historyczny utworu dzieli się na dwie części jawną (oficjalny wymiar rzeczywistości) i ukrytą (martyrologia, spiski i walka narodowowyzwoleńcza). W części jawnej poeta staje się bezlitosnym analitykiem i krytycznym obserwatorem zaprezentowanej w utworze zbiorowości. W części ukrytej autor zawarł swoją drezdeńską koncepcję martyrologicznej historii Polski. Przez badaczy trzecia część Dziadów jest uznawana za arcydzieło polskiego dramatu romantycznego, m.in. ze względu na połączenie w jednym utworze problematyki polityczno-historycznej z metafizyczną.
Businesses today are evolving rapidly, and developers now face the challenge of building applications that are resilient, flexible, and native to the cloud. To achieve this, you'll need to be aware of the environment, tools, and resources that you're coding against. The book will begin by introducing you to cloud-native architecture and simplifying the major concepts. You'll learn to build microservices in Jakarta EE using MicroProfile with Thorntail and Narayana LRA. You'll then delve into cloud-native application x-rays, understanding the MicroProfile specification and the implementation/testing of microservices. As you progress further, you'll focus on continuous integration and continuous delivery, in addition to learning how to dockerize your services. You'll also cover concepts and techniques relating to security, monitoring, and troubleshooting problems that might occur with applications after you've written them.By the end of this book, you will be equipped with the skills you need to build highly resilient applications using cloud-native microservice architecture.
Kto jest najważniejszym gangsterem w Trójmieście? Latkowski odpowiada wprost Tygrys i ujawnia kulisy tajnego śledztwa wobec legendy trójmiejskiego świata przestępczego. Co dzieje się dzisiaj z do niedawna najbogatszym Polakiem, Ryszardem Krauze? Czy rzeczywiście zbankrutował i nic nie znaczy? W książce poznamy nowe fakty z tak głośnych spraw, jak Krystka i Zatoki Sztuki czy zaginięcie Iwony Wieczorek. Latkowski ujawnia, że śledztwo jest blokowane m.in. w Komendzie Głównej Policji. Trójmiasto jest wielką Puchą Pandory. Trzeba byłoby tu F-16 wypróbować, spalić to, zaorać i jeszcze raz podpalić. Potem każdemu wchodzącemu dawać przepustkę po sprawdzeniu, że nie jest pozapinany z dziwnymi ludźmi. Tu jest jedna wielka sitwa mówi Latkowskiemu były szef gdańskiego Centralnego Biura Śledczego. Książka pokazuje, że w wielu głośnych sprawach przewijają się te same osoby i pozwala zrozumieć, dlaczego układ trójmiejski jest na tyle silny, że wciąż niezmiennie trwa. Tamtejszy wymiar sprawiedliwości nie radzi sobie z nim. Sylwester Latkowski - reżyser, scenarzysta, dziennikarz, producent filmów, "Afera podsłuchowa. Taśmy Wprost" (współautor Michał Majewski, 2014) - opisuje od lat świat przestępczy i afery Trójmiasta. Książka nie tylko podsumowuje jego dziennikarskie śledztwa, ale też zawiera nowe informacje i tropy. W książce odkrywa nieznane kulisy takich spraw jak Amber Gold. Ujawnia treść nieznanych taśm. Po raz pierwszy poznamy nagranie syna premiera, Michała Tuska, w którym opowiada o swojej współpracy z twórcami piramidy finansowej i linii lotniczej OLT Express.
Poppy Ott and the Tittering Totem
A number of boys are ambitious to form a career for themselves in journalism and its various industries, and trusting friendship and willingness to give advice as the protagonist began this work. In other words, the main characters must have a great desire to do this. If they have a desire, naturally, they will continue to try. Boys travel to Wisconsin very often with their elders. These adventures are remembered by many readers.
Justyna Stankowska, Izabela Mikrut
W stadzie jest zawsze weselej. Stado ma zawsze dużo pomysłów(nie zawsze mądrych) i całkiem sporo przygód.Ze stadem nie można się nudzić.A kiedy stada przychodzą stadami, zabawy jest co niemiara. I do tego tomiku zawitały bajkowe stada. Sprawdź, co razem zmalowały, a potem pokoloruj zwierzęta.Czy pomalować je dasz radę,kiedy się zjawią całym stadem?