Wydawca: 8
B.M. Bower
In The Phantom Herd from 1916 we follow a film director Luck Lindsay who wants to make an authentic western, therefore using the Happy Family boys and some of their friends as actors instead of professional actors. There are many difficulties along the way, some of which bid fair to be insurmountable and they are up against big problems, mostly the weather and deadline. The story is absolutely thrilling and at the same time Bower, with the help from a real western actor, has made a great research on how you made films in those early silent film days. One of many recommended works by this prolific author.
Aidan de Brune
There is always a special thrill of excitement about a mystery story, especially when the main characters cover their tracks successfully. The Phantom Launch is an Australian story through and through, its main setting being Sydney and Melbourne, and the swiftness and sureness with which both the launch people and amateur sleuths act will keep the reader breathless. Wireless plays an important part in this story. We defy any reader to guess the perpetrators of the crimes and the secret of the launch until the colorful and prolific Australian writer Aidan de Brune? reveals them.
Gaston Leroux
The fascinating story about a young Swede Christine Daaé. Her father, a famous musician, dies, and she is brought up in the Paris Opera House. After a while in the opera house, she begins to hear a voice that, in the end, teaches her how to sing beautifully. The ghost is in love with the main character and is jealous of her friend, but it can only spell disaster.
The Phantom of the Opera - With Audio Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Written for Learners of English by Jennifer Bassett. It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom of the Opera Level 1 Oxford Bookworms Library
Bassett, Jennifer
A level 1 Oxford Bookworms Library graded reader. Written for Learners of English by Jennifer Bassett It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
The Phantom Rickshaw and Other Ghost Stories
Rudyard Kipling
The world of Kiplings stories is complex and rich, representing essentially an encyclopedia of the plot experience of the best English and American storytellers of the XIX century. They are characterized by psychology, innovation, which consists in introducing new layers of life into the fabric of narration, and a kind of naturalism. The lazy tourists demanding communication with people have already somewhat dulled this feeling of complacency and wide hospitality.
George Bernard Shaw
“The Philanderer” is a play by George Bernard Shaw, an Irish playwright who became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. The Philanderer was written in 1893 but the strict British censorship laws at the time meant that it was not produced on stage until 1902. This is one of three plays Shaw published as Plays Unpleasant in 1898. They were termed "unpleasant" because they were intended, not to entertain their audiences – as the traditional Victorian theatre was expected to – but to raise awareness of social problems and to censure exploitation of the labouring class by the unproductive rich. The other plays in the group are Widowers' Houses and Mrs. Warren's Profession.
Robert E. Howard
Over shadowy spires and gleaming towers lay the ghostly darkness and silence that runs before dawn. Into a dim alley, one of a veritable labyrinth of mysterious winding ways, four masked figures came hurriedly from a door which a dusky hand furtively opened. They spoke not but went swiftly into the gloom, cloaks wrapped closely about them; as silently as the ghosts of murdered men they disappeared in the darkness.