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…do mojego snu wpływa srebrna ryba. Jeszcze zanim w ciemnościach otworzę oczy, już wiem, że takie same monstra unoszą się na niebie. I że te ryby nad głową to zeppeliny, a ikra, którą spuszczają na Londyn, to bomby… Kolejne wygnanie to intymny portret Ester Singer Kreitman malowany słowami jej syna – obraz pisarki, kobiety i matki widziany oczami dziecka, a potem młodzieńca. Oprócz rodzinnej i pisarskiej biografii Kreitman – nieudanego małżeństwa, kolejnych prób zbliżenia się do Singerów i kolejnych „wygnań” – autor prezentuje również migawki z życia londyńskich Żydów, paryskiej bohemy, a przede wszystkim środowiska międzywojennych żydowskich literatów na letnisku w Świdrze. Szczególnie smakowite fragmenty serwuje właśnie w opisie podwarszawskiej wilegiatury, kiedy to miał okazję bliżej poznać swoich słynnych wujów, Izaaka Baszewisa i Joszuę Singerów. Wspomnienia Maurice’a Carra zachwycają stylem, który znakomicie imitując język i sposób myślenia dziecka, w wielu miejscach wpisuje się w najlepsze tradycje żydowskiej prozy pierwszej połowy dwudziestego wieku. Maurice Carr (ur. 1913 r. w Antwerpii, zm. 2003 r. w Paryżu) – pisarz, eseista, tłumacz i dziennikarz, syn Ester Singer Kreitman, siostry pisarzy Izraela Joszuy i Izaaka Baszewisa Singerów. Paryski korespondent Agencji Reutera oraz redaktor naczelny „Izrael Magazine”, jako dziennikarz pracował m.in. dla BBC, „Daily Telegraph”, „The Jerusalem Post”, „Maariv”, „Haaretz”, „Commentary Magazine”. Pod pseudonimem literackim Martin Lea napisał powieść „The House of Napolitano”.