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The Disintegration Machine is a story featuring Doyles famous character Professor Challenger. It was first published in The Strand Magazine in January 1929. The story centers on the discovery of a machine capable of disintegrating objects and reforming them as they were. This short story is a part of the Challenger series, a collection of stories about the wealthy eccentric adventurer Professor Challenger. Unlike Conan Doyles laid-back, analytic character, Sherlock Holmes, Professor Challenger is an aggressive, dominating figure. The professor is described as a lion of a man with a full beard and a rotund physique. One day, he is interrupted by the young journalist, Malone, to go investigate a machine designed by Latvian inventor, Theodore Nemor.
Sentenced to execution a prisoner of solitary confinement travels in time, according to his past incarnations on Earth. From the primeval world to the nearest history. And we participate with him in certain events, experience ups and downs, love earthly and unearthly love, enjoy and experience humiliation, approaching the One Man whom the author tried to introduce to us.
This is another work of art from Benson. The novel describes many events in England: the First World War, the mentality of that time, the life of the British and visitors there. The first half of the book describes reflections on war. The denouement we can see more sentimental.
Tom zawiera wybór utworów poetyckich Daniela Naborowskiego, polskiego poety barokowego, dyplomaty i tłumacza. Tworzył w nurcie poezji metafizycznej. W swoich utworach godził wartości sprzeczne. Renesansowej pochwale rozsądku i życia statecznego towarzyszy przekonanie o marności świata i nieuchronnym przemijaniu wszelkich zjawisk.
If you think that the story about Alice is the most fantastic, then you are mistaken. Sylvie and Bruno are proof of that. There are many hidden gems here, mostly sweet, sentimental stories of the fabulous children of Sylvie and Bruno. The second half of the story is not much different from the first, only it came to a conclusion.
Wellss satire on literature, Boon was originally published under the pseudonym Reginald Bliss; a follow-up to the Fabian-savaging The New Machiavelli. It purports, however, to be by the fictional character Reginald Bliss, and for some time after publication Wells denied authorship. Boon is best known for its part in Wellss debate on the nature of literature with Henry James, who is caricatured in the book. But in Boon Wells also mocks himself, calling into question and ridiculing a notion he held dear that of humanitys collective consciousness. Among these pieces is the infamous parody of the late style of Henry James, all the more effective for being so distinctive a target. Describing James as the culmination of the superficial type, it is not surprising that the indiscreet, ill-advised content of Boon, as Wells describes it in his Introduction, put a serious strain on the relationship between the two authors.
Siamese twins twins Chang and Eng Bunker, who were born with fused bodies. They lived 63 years, had good health, were married, had normal children. In 1829 they were brought to America, then they were taken and shown in Europe. Knowing the twins personally, the author took the liberty of telling about the curious details of their private life, which never penetrated the press.
Jacobs Room is an impressionistic novel in which there is no defined plot; rather, random circumstances in the central characters life, Jacob Flanders, are portrayed as observations of the people who come in contact with him. Set in early 20th century England, Jacobs Room is simply the story of a young man who dies in the first world war, Jacob Flanderrs, as told in fleeting recollections by his mother and his close friends. The novel follows Jacobs life, but he is seen mainly at a distance, through the eyes of women who knew him more or less well, and the narrative itself is quite fragmentary, so that the reader experiences the same problem faced by Jacobs survivors how to piece together his life. Jacobs Room marks the beginning of Woolfs experimental literary techniques, stream of consciousness and interior monologue. Also, this novel defies the traditional style of time sequence by moving from the present to the future and back to the past.