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Faust. Tragedii część pierwsza i druga
Dramat w dwóch częściach niemieckiego polityka, badacza i poety Johanna Wolfganga von Goethego, tworzony przez niego blisko 60 lat. Faust to uczony, który po latach, mimo ogromu swojej wiedzy, odkrywa, że ludzki umysł jest zbyt ograniczony, aby w pełni poznać sens istnienia. W jego pracowni pojawia się Mefistofeles, który założył się z Bogiem, że uda mu się opętać duszę uczonego. Kusi go, proponując zostanie jego duchowym przewodnikiem, co ma pozwolić mu poznać sens istnienia. W zamian za to Faust musi oddać mu swoją duszę.
When Professor Godfrey St. Peter and his wife move into a new home, he begins to feel dissatisfied with the new turn in life. He continues his scientific work in his dusty laboratory in an old house, trying to return to his old life. Two of his daughters get married and leave their home, two sons-in-law appear in the family. This provokes a midlife crisis, making the professor feel like he has lost his will to live due to a lack of purpose.
Hide and Seek is a story about love, betrayal, hardship and forgiveness. Mr. Valentine Blyth is an artist. While working in the countryside, painting portraits of babies and sometimes portraits of horses, he meets a deaf-mute girl named Mary.
Стихотворения (Wiersze). 191220131917
Владимир Владимирович Маяковский, Władimir Władimirowicz Majakowski
Первый том полного собрания сочинений великого русского поэта серебряного века. Владимир Маяковский вошел в мировую литературу как поэт, придерживающийся революционных взглядов не только в жизни, но и в творчестве. Один из лучших и талантливейших поэтов советской эпохи. Однако у него была и другая сторона 2013 он был уязвимым и страстным любовником, который отчаянно хотел, чтобы его любили, но, фактически, любимым никогда не был. Его рождение и смерть окруженные тайнами, жизнь самого известного «пролетарского поэта» является не совсем такой, которой она кажется на первый взгляд. Смелые, революционные, футуристические, его стихотворения до сих пор возбуждают умы читателей..
Tłumaczona na wiele języków powieść z roku 1925 autorstwa wybitnego polskiego twórcy Stanisława Ignacego Witkiewicza malarza, literata i fotografa, eksperymentatora i teoretyka sztuki. Bohaterem powieści jest młody dekadent Atanazy Bazakbal. Jego pełne trudnych doświadczeń dojrzewanie prowadzi do spektakularnego upadku i stanowi przyczynek do rozważań o dekadencji, indywidualizmie i rewolucji.
The Tempest family estate was long-standing, extremely wealthy, and passed from father to son through many generations; but complications arose in the late nineteenth century. These complications, and what they led to, are set forth in this marvelous tale, which has elements of the sensational novel and elements of the new womens romance mixed with a touch of family saga and romance.
Twelve-year-old Tommy is left to fend for himself. Thanks to endurance, ingenuity and a wonderful union with the grizzly bear, whose mother he helped, the boy survives. When Tommy gets older, he and the bear set off for the valley, where they prevent the killing of an indestructible horse. The horse, bear and Tommy become legend and the expedition is about to capture or kill Tommy.
Lord Jim, Conrads most famous work, is also his most extensive examination of a persistent theme: the conflict between an individuals inner moral code and his or her outward actions. Jim, the well-loved son of an English parson, goes to sea to make a name for himself. With his youthful, romantic aspirations for the sea, he is physically powerful; he has Ability in the abstract. Throughout Conrads short stories and novels, his characters are often afraid, even obsessed, with the concern of how their personal standards will bear up under the stress of events. This situation is explicit in Lord Jim. He drifts from port to port, leaving when his identity is discovered. Finally, he abandons the world of Europeans altogether and heads upriver to a small Malay village. Even there, however, he finds he cannot escape the demands of his sensitive moral feelings and must prove to himself that he is not a coward.