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Object-oriented programming (OOP) is a programming paradigm organized around objects rather than actions, and data rather than logic. With the latest release of C#, you can look forward to new additions that improve object-oriented programming. This book will get you up to speed with OOP in C# in an engaging and interactive way. The book starts off by introducing you to C# language essentials and explaining OOP concepts through simple programs. You will then go on to learn how to use classes, interfacesm and properties to write pure OOP code in your applications. You will broaden your understanding of OOP further as you delve into some of the advanced features of the language, such as using events, delegates, and generics. Next, you will learn the secrets of writing good code by following design patterns and design principles. You'll also understand problem statements with their solutions and learn how to work with databases with the help of ADO.NET. Further on, you'll discover a chapter dedicated to the Git version control system. As you approach the conclusion, you'll be able to work through OOP-specific interview questions and understand how to tackle them. By the end of this book, you will have a good understanding of OOP with C# and be able to take your skills to the next level.
Tematem książki są powracające w polskiej liryce i sztuce XX wieku świadectwa tęsknoty za "obrazem prawdziwym". Autorka skupia się na opisie relacji, jakie zawiązane zostają między obrazem i słowem, teoriami języka poetyckiego i historią reprezentacji w artystycznych projektach Tadeusza Różewicza, Tadeusza Kantora, Jerzego Nowosielskiego, Stanisława Czycza i Ewy Kuryluk. Formułowane przez nich pytania o możliwość współczesnego (ludzkiego, a nie boskiego) veraiconu wyrastają z pragnienia stworzenia dzieła przyległego do doświadczeniowego jądra, zniesienia asymetrii między cierpieniem a przedstawieniem, spotęgowania bycia w poetyckim obrazie. Roszczenie "prawdziwości" obrazu urasta w opisywanych projektach do rozmiarów ekstremalnych, a zgłaszający je twórcy - mimo iż wielokrotnie zdradzają wiedzę o niemożliwym charakterze swoich zamierzeń - z uporem podejmują kolejne (zawsze nieudane i zawsze nieukończone) próby stworzenia słownego odcisku granicznego cierpienia. Czynią to w poczuciu bezwzględnej konieczności spełniania zadania w większej mierze ludzkiego niż artystycznego. Dlatego poszukiwanym przez siebie poetyckim językom, malarskim i teatralnym formom nadają funkcje bliskie tym, jakie obrazy pełniły przed epoką sztuki. "Książka Agaty Stankowskiej jest z jednej strony świadectwem wielkiej wiedzy, wrażliwości i wnikliwości poznawczej, z drugiej zaś - dowodem wysoce samodzielnych, oryginalnych poszukiwań, które prowadzą do rezultatów odkrywczych (bo odsłaniających niedostrzegane dotąd strony poetyckich i artystycznych realizacji), nowatorskich (bo zmieniających wiele tradycyjnych, stereotypowych poglądów na literaturę i sztukę drugiej połowy XX wieku) oraz inspiratorskich (bo zawierających wiele ujęć i propozycji odczytań, które mogą znaleźć szereg innych zastosowań w dalszych badaniach nad współczesnymi poszukiwaniami i ucieleśnieniami prawdy dzieła sztuki)". Prof. dr hab. Ryszard Nycz Agata Stankowska - historyk i teoretyk literatury, profesor Uniwersytetu im. Adama Mickiewicza w Poznaniu, kierownik Zakładu Literatury i Kultury Nowoczesnej IFP UAM, członek redakcji "Pamiętnika Literackiego", redaktor naukowa serii wydawniczej "Literatura i Sztuka" (Wydawnictwo PTPN). Autorka książek: Kształt wyobraźni. Z dziejów sporu o "wizję" i "równanie" (Kraków 1998), Poezji nie pisze się bezkarnie. Z teorii i historii tropu poetyckiego (Poznań 2007), "żeby nie widzieć oczu zapatrzonych w nic". O twórczości Czesława Miłosza (Poznań 2013), "Wizja przeciw równaniu". Wokół popaździernikowego sporu o wyobraźnię twórczą (Poznań 2013).
This is another Ethel Dell novel. Sylvia Ingleton is left motherless at an early age. Her father remarried a woman who is not happy to share her household with Sylvia. Soon, Sylvia is entangled in webs of deceit to get her married off. Boldly, she announces to her father and would be suitor that she will rejoin her fiancé of five years in South Africa. The backdrop of South Africas wilderness, drought, cloud bursts and love triangles leaves Sylvia in a struggle to survive. In this thrilling adventure, she finds her way like a lost child to her Top of the World. It is an astonishingly melodramatic novel, with a plot that moves with such gusto from one strong emotional situation to another that you only occasionally pause to consider how very exaggerated and improbable it is.
Saga siedmiu barw — Krew Sióstr — część trzecia — Kasztan. „Żyła niegdyś siostra krwi Kasztan Bomba Była jak tsunami i powietrzna trąba Świat łupiła, to zwiedzała Z pistoletów swych strzelała Żarła, klęła i jak dzika chlała Jako herszt piratów miała złych kamratów Z nimi zawitała do zaświatów Tam zaś cudów dokonała I na latającym okręcie z Alabaster Światłości się zbratała” — z przyśpiewek srebrzystych dzieci na północnym wschodzie kontynentu Unton.
Les Aventures de Monsieur Pickwick
Ceci est une histoire sur le club de voyageurs en Angleterre. Ce club comprend de drôles de Britanniques, qui se considerent comme ceux qui ne le sont pas vraiment. La chose principale dans ce club était un Pickwick romantique. Il a essayé décrire chacune de ses observations dans un cahier spécial. Dickens a réussi a créer une bonne et détaillée histoire sur un petit club de vrais hommes anglais.
Towards a Green Economy. From Ideas to Practice
Małgorzata Burchard-Dziubińska
Scientists in general agree that processes of ecosystem change, including climate change and loss of biodiversity, have reached a stage where it is no longer possible to avoid negative effects for humanity and the world economy. Our era is called the Anthropocene, which means that humans are the predominant instigator of change at a planetary level. A shift towards a green economy seems to be a reasonable course of action, giving hope of halting the negative trends of development and the transition to more sustainable development. This book is a contribution to the ongoing discussion on the current desired track of the development of society and the economy. The authors, researchers from leading Polish universities, propose to look at the green economy from the more practical perspective. The contents of this book cover the following issues in the context of the development and functioning of a green economy: ecosystem services, performance measurement, development of appropriate policy instruments, production and consumption, energy supply and creation of green jobs.
The two men hesitated upon the tee, gazing down the glade towards the distant-green. Their caddies were still pointing in excitement to a motionless object stretched upon the smooth turf close to the flag. Look there! Its a man! He is dead! The players paused to consider the situation. They were oddly contrasted combatantsone, Mr. Edgar Franks, elderly, large and florid, with a mass of flaxen hair only slightly streaked with grey, a transatlantic millionaire, and owner of the finest villa in the neighbourhood of Antibes the other tall and slim, a mere lad, whose name was Armand Toyes, and who motored down occasionally from his home somewhere in the hills behind Cagnes.
"A Country Doctor" is a short story written in 1917 by Franz Kafka. The plot follows a country doctor's hapless struggle to attend a sick young boy on a cold winter's night. A series of surreal events occur in the process, including the appearance of a mysterious groom (stablehand) in a pig shed.