Introduction 7

Andrzej Dębski, Film screenings in the “Polish territories” in 1896 and their international context 9

Urszula Biel, The Place of Polish Films on German market between 1920s and 1930s, with special emphasis on Borderlands 23

Tomasz Kłys, The Third Reich’s Pean of Praise for the November Uprising’s Glory: Karl Hartl’s Ritt in Die Freiheit (1936) 37

Magdalena Saryusz-Wolska, Cinema programs as a source for research on historical film audiences. Berlin 1945–1949 51

Tomasz Rachwald, War film as a political problem in Polish press 1945–1949 69

Piotr Zwierzchowski, The reception of Hungarian cinema in Polish film criticism 1945–1989 79

Ewa Ciszewska, Socialist film co-productions. The case of the Polish-Czechoslovak film co-production What Will My Wife Say to This? (1958) by Jaroslav Mach 91

Mikołaj Góralik, Sci-fEAST: Science fiction genre in Polish and Czechoslovakian cinema 107

Magdalena Wąsowicz, István, a király: Rock-Opera As an Expression of Hungarian National Identity 119

Index 127

• Title: History of European Cinema. Intercultural Perspective
• Author: Michał Dondzik, Michał Pabiś-Orzeszyna, Bartosz Zając
• ISBN: 978-83-808-8266-9, 9788380882669
• Date of issue: 2017-06-19
• Format: Ebook
• Item ID: e_0l50
• Publisher: Wydawnictwo Uniwersytetu Łódzkiego